Today I’m taking a break from book reviews to talk about something that’s been bothering me for a few weeks.
Read MoreBook Review | "The Seven Husbands of Evelyn Hugo" | Taylor Jenkins Reid
Seven husbands in the course of one lifetime… Why did she do it? It’s the question everyone asks when the elusive Evelyn Hugo decides to donate gowns to a charity auction. Monique asks it when she arrives at Evelyn’s house to conduct an interview for Vivant magazine. She also questions why Hugo requested such a low rung staff writer. Evelyn promises to explains it all if Monique does one thing - writes her biography instead. Now, as the story of Evelyn’s life unfolds, Monique has to decide between the chance of a lifetime and keeping her job at the magazine.
Read MoreReading the Classics | "Sense and Sensibility" | Jane Austen
After the death of their father, three sisters and their mother establish themselves in a new home at the insistence of a distant relation. Elinor, the sensible one, is forced to not only leave her childhood home to her half-brother but to also leave the man that has stolen her heart. Marianne, yet to see the world past her 17 years, falls into a man one rainy day while exploring her new home. Together the sisters must discern who deserves their love in the twists and turns of 19th century English society.
Read MoreBook Review | "Nine Perfect Strangers" by Liane Moriarty
Nine people come to a health retreat for different reasons - health, relationships, vacation. The owner, Masha, has plans for this group. People come and go, even returning to feel her great results again and again, but no one ever practices what they’ve learned when they get back home. This time she wants it to be different and she plans to make it happen no matter what it takes. What these nine people don’t know, amid their own tumultuous lives, is that they might be in for more than they paid for.
Read MoreBook Review | "Sawkill Girls" by Claire Legrand
Born with a curse, Val has never known what it means to be free. Her grandmother always said to keep something for herself - something from him. But his pull is getting stronger and, with the new family in town, she has her work cut out for her. Marion has a lot on her shoulders. She’s the rock in her family. The one keeping them all moving since her father’s death. But now that they’ve moved to Sawkill, she can’t keep it together. And then Zoey, the outcast, isn’t helping the situation much, scouring the town for her missing best friend. As the number of bodies grows higher, these three girls find themselves as the island’s only possible savior.
Read MoreBook Review | "All We Ever Wanted" by Emily Giffin
What if your son had done it? What if your son had sexually abused someone and the proof was floating around? Not only does Nina struggle with the truth but what it also means for her as a mother. How can she bring about justice when her husband undermines everything she does? As Nina watches events unfold, she begins to see how their rich lives might be to blame. Lyla, living with her single dad, just wants it all to go away, to ignore what happened. She has a crush on the boy, and doesn’t this really mean that he likes her? How will she handle the ridicule at school? It wasn’t that racists, but her dad won’t let it go, won’t let Lyla fade into the background. Because there’ll always be another scandal.
Read MoreBook Review | "The Deepest Roots" by Miranda Asebedo
Three girls, the closest friends, are born in a town thought cursed because, since its creation, the girls born within the border have a gift; either making enough, finding what’s lost, fixing what needs mending, or healing those that are hurt. Rome lives in the town, and she doesn’t think her ability can save her or her mom from the landlord that wants to evict them, even trading her most prized possession for just a few more months. After a nasty tornado rocks the town, Rome and her two friends stumble upon a discovery that could either fix everything or tear them apart.
Read MoreMost Anticipated Books of 2019
Not only are we ringing in a new year but there are a lot of new books to get excited about. Below are a few of my most anticipated reads of 2019.
Read MoreBook Review | "Ignite the Stars" by Maura Milan
In a world… (insert deep voice)... where there are two sides, the Commonwealth and the fringe, Ia thinks she’s got the right side - Blood Wolf of the Skies. That is, until she is caught, shocking the world. It’s no harden criminal terrorizing the skies, but a seventeen-year-old girl behind the helmet. Seeing this as an opportunity, the Commonwealth sends her to be trained at the Star Force Academy where she has only one goal, escape. Brinn on the other hand is trying to stay in the Academy. She’s joined to make a difference, set to stop the likes of Ia from destroying the safety and security that the Commonwealth provides. But then why must Brinn hide who she really is? Thrown together at the academy, the two learn what the truth really is, and whose side they should be fighting on.
Read MoreBook Review | "Damsel" by Elana K. Arnold
It’s time to flip the story of the damsel on its head. Who says every girl needs to be saved? Except that’s the way it’s been for generations - the prince goes to rescue his damsel, claiming her as his wife and future queen. And now it’s Emory’s turn. After scaling the wall he climbs inside the tower to kill the dragon. Hours later, with no memories of her own, Ama awakens besides Emory. She tries to piece together her past, finding no memories of her life before she awoke. The two return to Emory’s home where Ama is rushed to be married and feeling herself change as the wedding day draws near.
Read MoreBook Review | "Circe" by Madeline Miller
In a world where the gods walk amongst us, Circe is born with no place of her own. Though birthed to one of the most powerful Titans, she’s left to drift with no power or beauty to carry her through life. So she waits. One night the tides turn when one of their own is punished. That same night Circe defies all those around her, setting her own path - from one crazy ill-thought decision to the next - all leading to her exile for eternity alone, but now with power, where she watches history shape itself.
Read MoreBook Review | "The Book of Essie" by Meghan Maclean Weir
Living her entire life in front of the camera, Essie must play the greatest role of her life - deciding her own future. First she waits. Waits on others to decide how to deal with her unplanned pregnancy and the PR nightmare to follow. Essie plays the game, placing tiny pieces along the way to curve the narrative around her will. She convinces her mother to let her pick Roarke, and then recruits the help of a reporter who has her own family crisis. Though Essie’s family thinks they’ve got it all figured out, Essie reveals the scandal of a lifetime.
Read MoreBook Review | "Sea Witch" by Sarah Henning
Have you ever wondered the story? Pondered how the Sea Witch came to be? In a world of merpeople, why was she so different? With power and vengeance of her own, why did she haunt the cave among other lost souls? Well, her name was Evie once and this is her story.
Read MoreBook Review | "The Savior's Champion" by Jenna Moreci
“Choose the path that's right by you. Always. It may end in misery -a small price to pay. No amount of hardship compares to the emptiness of regret. Of never having lived at all.”
Hello book world. I was kind of scared to pick this one up. I’ve been watching Moreci for a bit on YouTube but it’s one thing to talk about writing and another to pull it off well. So eventually I figured I needed to see what she was made of. Could she do as she preached?
I jumped, feet first, into her second book The Savior’s Choice.
In a world where a Savior brings fertility to the land, all men of competing age may try to win her hand in marriage and become the Sovereign. And many want to… just not Tobias. The thought of killing 19 other men for supposed love sends his stomach churning. He keeps refusing to enter until he no longer has a choice. His sister, crippled from an accident, needs more help then his feeble income can provide. So he enters, risking all, but assuming that he won’t make it far; all for the coin purse handed to the selected’s family. Once in the maze, fate has a different idea for Tobias, sending him on a wild journey that may get him out alive.
Romance, palace intrigue, blood, guts…. What more could I want in a story? With the perfect balance of everything, including the kitchen sink, I was immediately lost to the labyrinth and everything held within its walls. Moreci sets the tone in the first scene by opening with the brutal killing of the current Savior. By doing this, Moreci makes a promise to her readers, showing them upfront what they can expect. .
Next we meet the main protagonist. How Moreci pulled off writing from the mind of a male protagonist, I have no idea. Her grasp of internal dialogue, thoughts, and actions was superb. Reader’s weren’t handed the perfect male specimen from our dreams, but an honest guy with his own faults. Just one that we can stand behind. His actions throughout the story make sense. We aren’t given this overwhelming good boy act. Maybe just a nice little hero to make every girl swoon for.
“You are the strongest man I've ever known. And you are kind. And you are good. You are bruised by this tournament, but you are not broken.”
Which leads me right into a very important point - that does not mean that Moreci’s female characters were weak or needed saving. Quite the opposite. Moreci created a female cast that was strong in every way possible without losing their femininity. Instead of the man coming to save the woman, we got a woman who could save herself, and did so on many occasions, but decided to team up with a man. Reader’s were still gifted with the strong man scenes, but got a better story when the woman could stand right beside him in the fight.
Sadly, not all of Moreci’s characters were this well done. One of my biggest issues with the book, I only have two, is that the bad guys were made to be very bad. They were too easy to hate and, at times, felt evil just to move the story along. There was no guilt from the decision Tobias had to make. You eventually wanted something bad to happen to them. Overall, every antagonist or negative character in Tobias and Leila’s way, fell flat. Every character in a book needs to be fully realized, and come across as human, even if we, as the writer, don’t like them. Don’t make it easy for the reader to hate them. It takes out a large emotional factor from the story. Look at the Darkling in the Grisha Verse. That’s an excellent example of a fully developed antagonist.
And I might as well let you know the other issue. Even though the dialogue was superb, bordering on genius, there were some points when the quips and back and forth felt a little too modern for the world. I’m not looking for old English, but I don’t want to hear Joe from down the street when this story is set in some other universe not contemporary to ours.
Ok, hard part is over.
“If everything looks good and pure, then nothing's truly beautiful. The ugliness is what makes beauty so distinct.”
Still, Moreci’s art is in her dialogue. Seriously. You need to work on that in your writing… here’s your textbook.
What I think sets this book above all others was Moreci’s work with sex and her ability to make what many deem to be inappropriate, natural. She broke boundaries and showed a natural side to human nature. Instead of hiding the male anatomy, she placed it front and center in a respectful, story important way. This isn’t some romance, sexually explicit book. Every sex reference felt vital to the story and worked to create an atmosphere of what competing in the tournament would be like. This includes the same sex relationships as well.
I think what took me on the biggest ride was the imagination in each section of the tournament. I really don’t want to see inside Moreci’s mind because I have no idea how she came up with all of the challenges. Each one was unique and interesting, and kept the reader on their toes. Each scene was well constructed to not leave the reader lost in the what was happening. If you’ve read some of my other reviews, you know I hate when writers don’t craft well choreographed fight scenes. Most of the time I’m lost, which loses the whole point of the fight scene.
If you haven’t guessed it… I’m giving this book 5 stars. Man it was amazing. I was left with some serious book hangover. I need a reread, but to do that, I need to actually own the book. Well, my birthday is coming up. Fingers crossed.
Happy Reading.
Love Kait.
Reading Challenge: 97/100
Book Review | "Sadie" by Courtney Summers
“And Sadie, if you’re out there, please let me know. Because I can’t take another dead girl.”
Sadie is alone. No mother. And now no sister. Only a burning desire and knowledge no one else has. West, with an assignment he doesn’t want, answers the pleading cry - ‘Sadie is gone.’ All they have to go on is her abandoned car and a dead little sister. Can West discover what’s happened to Sadie, or will she be able to tell us herself? Together, their stories collide, one in the past and one in the present, revealing more than either thought possible.
Today, books are becoming less like stories and more like windows into stark realities. Haunting stories. I’ve been talking about this a lot on the blog recently. It could be the books I’ve picked up, or it could be that authors are using their craft to tell more. Do more. Show more. Stories are meant to take us on a quest, to open our minds to concepts that we may never have thought of before. Sadie fits right in.
Sadie begins right in the middle. Immediately readers are given the information that a 13-year-old girl was brutally murdered and now her sister is missing. Not a delightful start to a story, but Summers just drops the reader in, laying the groundwork. She establishes where Sadie is from and what her background is right off the bat. Readers are left without any questions.
“It was a terrible thing, sure, but we live in a world that has no shortage of terrible things. You can't stop for all of them.”
Summers also makes it clear that the format is going to be a little different. Mixing in first person POV and Podcast style scripts, she weaves the two together. And personally, I loved it. Normally, I want a good old fashion story, but Illuminae convinced me changing things up can be good, and Summers falls right in with the greats.
The Podcast added elements I’m not sure could have been pulled off otherwise. It would have been a completely different story. Told not through a detective per usual, readers are instead given a character off the streets. A man hosting his first podcast with a wife and family of his own. Not some cop with a hard record of seeing the bad things. West instead, is seeing this dark side of the world for the first time, mixing his own emotions into the story by the end. Even battling with his desire to see the mystery out. The Podcast also lets readers see what’s happening back at homebase without slowing down the script.
Well… most of the time.
Here’s where it didn’t work. Since the Podcast is discovering things after the fact, because Summers shows them through Sadie’s eyes first, the Podcast tended to repeat some facts. I don’t think it could have been helped, but hearing the same old knowledge of what happened tended to bore me.
“Or maybe you get so used to the mess of home, you convince yourself over time everything's exactly where it belongs.”
But let’s not leave the fact, that here Summers did something different. She gave a different perspective, a different format, a downright different style to break the normal humdrum offered to readers. She pushed the boundaries. Something writers should take note of. Don’t be afraid to be different.
My last negative comment is with Sadie. Her character profile was fine. In fact, all the characters were so well done, they played to the old adage of write each person as if they are the protagonist of the story. But, I struggled connecting with Sadie on an emotional level. Which ultimately made me feel horrible. Here is this story, a sister on a mission of revenge, that lacked Sadie’s emotional turmoil coming through. There was just a disconnect that didn’t allow me, as the reader, to be fully immersed in the pain and suffering.
“Paul taught me a person committed to silence can suggest importance, strength. So long as they’re a man, I mean. It’s not an option when you’re a girl, not unless you want people to think you’re a bitch.”
But that’s it guys. The rest of the story is pure magic. I’m even going to give Sadie a whooping 4.5 stars.
Full cast of characters that each played a role to the overall story. Realistic storyline, without the crazy magic coincidences that can happen in mystery novels. Perfectly established backstories and settings. Excellent prose that made me cry as a writer. And dark in all the right places.
Just downright masterful. Summers shows readers a world that many of us don’t see. Drugs, poverty, abuse, it’s all there. Painted to show a sister and how far someone will go in the end. I highly recommend this read. I mean, the list of things you can learn as a writer reading Sadie is staggering. I personally plan on grabbing my own copy and studying it from cover to cover. But if you need an idea of each point, pay attention to the following when reading:
Prose
Characters
Style
Background
Plot
Timeline
Reveals
Foreshadowing
Etc...etc...etc…
Happy Reading.
Love Kait.
Reading Challenge: 93/100
Book Review | "Britt-Marie Was Here"
“A few years turned into more years, and more years turned into all years. Years have a habit of behaving like that.”
Some stories make us think. Some stories put us on the edge of our seats. And then some stories make us laugh at humanity.
Cleaning and keeping house have been Britt-Marie’s job for years. She loves it, the orderly semblance to life. That is, until her husband goes and has a heart attack and his mistress phones Britt-Marie about it. Britt-Marie now has to figure out a new life with the only job she can get - maintaining the Borg Recreation Facility. She cleans and grieves until a unruly bag of ragga-muffins show up at her door.
Backman created a story about people, populating a cast with a beating heart. Each character has a backstory, nuances, character flaws, desires…. What a real flesh and blood version would need. He let each character shine, acting out as if they were the star when really, as the reader, we only ever see the story through Britt-Marie’s eyes. Which is where I think Backman’s skill lies. Character developed stories with soul and heartwarming story lines.
I mean the man even added a rat.
I’m not kidding people.
She fed a rat snickers and talked to him (I believe it was a him). It may be weird, but I think all of Backman’s stories come with a little bit of weird.
“A human being may not choose her circumstances, but she does choose her actions”
Overall, everything felt perfectly balanced. Comedic moments that were never forced. Perfectly painted pictures of a town on the brink of collapse. Characters that stayed true to their personalities. Plot points with substance. And the right amount of soccer, using it as a guiding point throughout the story. Never once did soccer take over though. Britt-Marie Was Here is not a soccer story. Instead, the element enhanced character relationships, stakes, and plot points.
But be warned people…. Spoiler, he never names Somebody. Why? So many times I was lost for a moment, thinking a random character just walked in, when it was always Somebody. I thought it would lead to a big reveal/heart wrenching moment in end, but it never did.
“At a certain age almost all the questions a person asks him or herself are really just about one thing: how should you live your life?”
And based on my own personal opinions, all character developed stories come with flaws. Most can’t be helped since the protagonist tends to run the show.
In Backman’s case, the struggle was in foreshadowing. He tended to point the way too clearly for the reader. At one point, Backman placed a dose of foreshadowing before a big plot twist. There was no longer a shock factor. Instead, the character spelled out what was going to happen, did it, and left a very large chunk of emotion out. At other times, Backman kept pointing to one thought so loudly, that when it came time for Britt-Marie to make a decision in the end, the reader was very aware of what it would be. Foreshadowing is a fickle mistress and one that doesn’t play well with character driven plots. The writer isn’t able to look far ahead and plan out the perfect moment to deliver the medicine. And maybe Backman just recieved some bad advice, because I personally would have left the bigger foreshadow out completely.
I highly recommend Backman’s work. Sometimes it’s a little weird. The narration can come across as clumsy, and the foreshadowing might drive you nuts, but his stories seep deep into your soul and make you want to meet the very characters he’s created.
“One morning you wake up with more life behind you than in front of you, not being able to understand how it’s happened.”
And I almost forgot. I give this one a solid 4 stars.
Happy Reading
Love Kait
Reading Challenge: 92/100
Book Review | "Give Me Your Hand" by Megan Abbott
“The fear all men have that there’s something inside us that shifts, and turns. A living thing, once dormant, stirring now, and filled with rage.”
Let me tell you a secret…
Good reveals in a book come with a touch of beauty, finesse, and excellent timing. So when you allude to something at the beginning of a book, and then reveal it half way in…. It better be good.
Kit is in line for a prestigious grant position, only three of a handful are set to receive it. All her hard work since high school, and the infamous Diane Fleming coming into her life, might finally pay off. Before any announcements can be made, Kit’s worst nightmare comes true when Diane appears in the very same lab, bringing the past back to haunt Kit as she remembers Diane’s haunting confession in high school that changed both their lives. Can Kit trust Diane again or will her dreams come crashing down?
“In some animal part of my brain, I guess I thought looking her up might somehow summon her. So I never did. And she came anyway.”
I will start with the good things about Give Me Your Hand. Abbott’s research into chemistry and biology felt spot on. I’ve worked in a few labs, biology and physics, and her overall feeling as a woman in the lab rang true. I’ve had some of the same gender attacks that Kit experienced at times in the lab. Abbott also sprinkled in the perfect amount of technical terms without making the reader confused or bogged down. Just enough to paint the reader a picture.
A lot of times writers want to throw in everything they learned because they spent all the time researching and don’t want the work to go for not. It’s another iceberg. Show only the tiniest portion, and leave the rest for yourself.
Abbott’s overall story was a bust though.
Yup…. that’s all the good stuff I have for you today. I won’t even hide my rating. (1.5 stars)
Attempting a thriller, Abbott’s build up and reveal were the biggest let downs.
“My mom always says, you don’t have a self until you have a secret.”
Most of the story is based around a secret. It’s mentioned early on, and has a lot of suspense around it. Reading along, Abbott keeps alluding to how grand the secret is, building up more anticipation. What didn’t work, was that the secret was staring the reader right in the face. Paying even the tiniest of attention, one can easily figure out this grand secret. By the time it’s finally revealed, 50% in, there’s a huge let down.
The whole first half of the story felt built around this moment, the big reveal. Abbott spent a very long time working on the backstory, flipping from present to past. Bleeding the two times into one. Though they both played into one another, the struggle of seeing past Kit and present Kit together left a huge gap in Kit’s personality. Young Kit felt more fearless. She did and said things that no longer matched future Kit, leaving future Kit to feel lost and altogether a different person. Ten years did pass, I guess change could happen, but as a writer it’s important to pay attention. Readers will sit there comparing and finding all the flaws.
And, sticking with the character problems, Abbott’s characters were not true to themselves. Many times I questioned the motives and actions some of the side characters took. Seriously, they led the suspense of the story along, dragging out some unbelievable twists. But that’s the point. They were unbelievable because the characters never would have done those things. Especially with the break down at the end. Added in dramatics.
“When you get away with something it’s yours only, forever. Heavy and irremediable.”
Abbott wanted to explain why Diane was who she was. She wanted to spell out the story word for word. Which led to the final reveal at the end. Ok, I didn’t see that one coming, but looking back it was a little obvious. It was another let down. It gave me a bad taste in my mouth.
In all, I’m surprised I actually finished this book. I put it down always questioning if I should pick it up again. Knowing that I could count this towards my reading goal kept me going.
My next book is the great Britt-Marie Was Here and it’s another book club read. I loved A Man Called Ove and Backman’s style of storying telling. I can’t wait to share it with you all on here. If you want to remotely join in with my book club, visit the book club page. I’ll be updating the books every month. When you see the book review pop up, start a discussion below and we can all join in.
Happy reading.
Love Kait
Reading Challenge: 89/100
Book Review | "Contagion" by Erin Bowman
“And that’s when she heard it: the muted thump of his heart. His pulse, in her head. Once she’d recognized it, she couldn’t unhear it. And then there was more. The flap of valves opening and closing, lunge pulsing, oxygen moving. The ticking human machine.”
So… you’re sent to a planet with a history of death - carrying the only known survivor on your ship from the first and last drilling party sent 50 years earlier - to rescue the current drilling party. Why the company decided to try again, you have no idea. No one is alive when you arrive; throats slit and bodies scattered around. Only a cryptic message, written in blood, is left for you. “Don’t trust the kid.” Who’s the kid and what happened? Will you make it off the planet alive?
*cue music*
“Duh… Duh… Duuuuuuuuhhhhhhhhh
I cannot do scary, people. My husband let me start The Haunting of Hill House, such a bad idea. It’s ruined my safe space. When halloween rolls around, I always feel left out, never able to read the spooky books or watch the movies. If you’re like me, then this is the perfect book. A balance of scary and thrilling, the story takes place on an alien planet. Essentially, this could never happen to us. Or so I convince myself in order to sleep every night.
Contagion is your typical sci-fi horror but without focusing on all the blood and guts. You go to an alien planet, people die, and you race to get off the planet alive. But there are a few things that made the book take you a little further. One being for a YA audience. Growing up, anything sci-fi, or I should say hardcore sci-fi, could only be found in that intimidating sci-fi/fantasy section. Maybe you were brave, but I always took one look at all the strange covers and backed out slowly. Here is a chance for younger readers to enjoy the thrill without the fear of adult content or long story lines with complex world systems.
“Toby’ eyes felt like they were burning. He wanted to claw them from his skull. Something warm and metallic dripped into his mouth. He wanted to claw at that too.”
Which is one of my top pros for the book. Bowman, right out of the gate, sets up the rules. We know how space travel works, how the planets get their energy, and even some of the political structures - which is delved into deeper later on. And I found it all believable. There will always be some suspended disbelief in sci-fi. You have to go along with the idea that light speed travel is possible. But Bowman makes the rest believable… no Star Trek hyperdrive here.
Bowman wanted to check all of her boxes off at the starting line. She immediately lays down the characters’ wants. Some of them do change as the story progresses but, as the reader, we get a clear look into who these characters are. And unlike One of Us is Lying, each person felt real and believable with unique back stories. Bowman walked as close to the edge of world dumping and back story as you can get. Contagion provides a great example though. I, personally, never felt that it slowed the story down.
She also made the concept of teenagers running around an alien planet believable. Many times I feel authors throw in the younger characters, but never think if those teenagers saving the world is believable. Bowman, also, doesn’t stick with an entire young cast. She throws in a few older and early twenty characters to play the parts.
“He hadn’t been able to give up, to roll over without a fight, and now she was no different, willing to kill so that she could live. So the entire Union could live.”
Some people don’t agree with me, but Bowman’s addition of politics made the story relatable to today’s day and age. Contagion shows younger characters taking charge and doing what they can to make a difference. Just because you can’t vote, doesn’t mean you shouldn’t be educating yourself or playing a part in the fight. Bowman shows what being ignorant can do and how sometimes, even if you think the political turmoil could never touch you, especially as a kid, it will. Books are a chance for authors to bring awareness by posing circumstances and questions to fictional characters. Readers can see what happens and most begin to pose the questions to themselves.
And the biggest con of the entire book - besides my personal preference of wanting this book to not go the typical horror route - was the POV.
Come one, come all…. Let me show you how not to do POVs.
Bowman has a decent sized cast. Ok, we can handle that - Bardugo taught us with Six of Crows. But unlike Six of Crows, Bowman jumps from head to head with only a small line break to give the reader a heads up. Her other issue comes from not being consistent with each mind. Some get one moment, maybe two, and the others jump here and there. I figure this was all done to throw the reader off the trail of who was dying. Not a good enough excuse. I think the entire story could have stayed with three people - one of which being the italicized portions. It would have changed the scenes slightly, but could have also made the moments more suspenseful since the reader wouldn’t have the entire picture laid out.
If you’re writing sci-fi, or love the genre, I highly recommend the book. Getting past the POV issues, I still give this book 4.5 stars. My enjoyment factor played a large part. I couldn’t wait to pick it up everyday. Also, the book club really enjoyed it to.
So the masses agree… you need to read this one.
And if you liked it, Bowman has a few other books that I too will be sliding into my to be read pile at some point. Hopefully… The list has gotten out of control. That and my library holds section. Somehow, all the books decided to become available at the same time. I’m rushing to finish Give Me Your Hand before I need to read my next book club read.
Happying Reading
Love Kait
Reading Challenge: 88/100
Book Review | "Sweet Black Waves" by Kristina Perez
“And her destiny lay between them. The Two lovers for whom she would trade her heart.”
Romance is in the air. Can you taste it? Can you smell it? While everyone is reading something spooky, all I want is an all consuming, heart wrenching love story. So little old me skips over to the library after placing this book on hold and waiting an agonizing amount of time to get it. Three days is way too long. I turn to the first page and…
It wasn’t that bad. To be honest, a lot of parts had me dying inside. The cringe worthy parts just outweighed the good ones.
Step 1: Don’t remember the Tristan and Iseult story. If you do, which luckily I didn’t, you’ll be squirming the whole time. I, at least, got the joy of the love scenes before all hell broke loose.
Told through the eyes of Iseult’s (or in the case of this retelling, Essy’s) handmaid, we see the story of Tristan and Iseult unfold. Finding a body on the beach one day, Branwen rushes to its aid not realizing that she’s not only saving the life of her enemy but also her enemy king’s nephew, Tristan. Safely escaping back home, Tristan returns to win the hand of Essy for his king while also wooing the girl of his heart, Branwen. But Branwen promises to protect her homeland, unlocking an untold magical power from her land.
Interesting…. Unless you know how all these stories end which leads to the cringe worthy moments.
And all the yelling.
I can’t blame Perez there. The story goes where the story goes with no fault of her own. We can’t change what fate created all those years ago. But I believe that Perez put herself in a bad position. She made the choice to create such a story and littered it with stepping stones pointing the way to the end.
So unless you enjoy yelling at the page, telling each character in an explicit manner how stupid they are, you might not enjoy this book.
Step 2: (This is for all my writing friends out there) Don’t write a story destined for failure. I personally don’t want to know the ending ahead of time. Maybe Perez is lucky and there are enough innocent readers who’ve never heard of this classic story. I mean she did get published, but still. This isn’t like your typical Jane Eyre retelling. You know the one detail of the story, like Arthur pulling the sword from the stone, and the entire premise is ruined.
Is my rant over? Maybe….
“They loved while they burned and they burned while they loved.”
Down to the writing details. Perez took the classic structure and created, essentially, an interesting prequel. We have the entire story leading up till the moment… It can be hard skirting around no spoilers. In addition, Perez decided to use a very uncommon protagonist, Essy’s handmaid. This was her strength and her demise. Key to a good retelling is making the story unique enough that readers who know the premise can fully enjoy the differences. This can be tricky deciding what can be different and what features can be twisted and manipulated.
Not my cup of tea.
Perez also decided to tackle linguistics. She chose to create a loose rendering of ancient and Medieval languages. Did it lend to the story? I don’t think so. Many times Perez just references to the different languages spoken, not actually showing the words. Once she used it as a message between two of the characters, which did lend well, but other times she used it as a learning tool for Branwen. This was a nice touch but ultimately could have been left out. It tended to slow the story down and forced the reader to break flow and memorize the words. Choosing to add in a whole new language is not something to take lightly and unless you’re a langustics genius, maybe not one to tackle at all.
Though all Tristan and Iseult stories have some short of magical element, Perez decided to make magic a forefront of her story. I enjoyed this. It added an element that allowed the story to feel different. Like I said before, that’s essential to a good retelling.
“Not you without me, not me without you.”
Now to my last very important point - likable characters. Characters, even those we are supposed to love to hate, need to have some semblance of likability. This is ultimately Perez’s downfall. Essy, in my opinion, is nowhere near a likable character. Was that done on purpose to make the ending easier? If it was, then that was a bad idea. Unlikable characters can ruin a story, blocking out all the good parts. Do I see Branwen’s moments when I look at Sweet Black Waves? No. All I can remember is how much I really despised Essy’s character.
Essy is a spoiled brat the whole time. Not once does she do something outside of her character motivation, but it felt like she was created just to keep the story on track. Oh we need to get to point B, so make sure Essy steers the story that way. Even if you don’t know the original Tristan and Iseult story, I think Essy makes the ending very obvious. So obvious.
There was no foreshadowing. The whole thing was spelled out in bold, sky writing.
Ok…. so maybe I need a cool of period between finishing a book and writing a blog. But I want to tell you my first knee jerk reaction to a story. To be honest, this book made me very angry. Today’s feelings are 2.5 stars. There are some parts I liked. That one decision not so much - something I have to keep skirting around (stupid spoilers). And probably the real reason for my anger. The one artistic decision Perez made that I can’t talk about.
So far my current read is way more enjoyable.
I just hope karma doesn’t come back and bite me in the butt later.
Happy Reading
Love Kait
Reading Challenge: 85/100
Book Review | "The Book of M" by Peng Shepherd
“No one escaped—either because they were someone who lost their shadow, or because they were someone who loved someone who lost their shadow.”
I’m going to start this by saying - with no shame whatsoever - that I checked my shadow a millions times while reading The Book of M. I just checked it. I think I’ll be checking for the rest of my life.
You’ve been warned.
The Book of M leaves scars.
It first starts in Iran, a man in a town square loses his shadow. It’s magical, people flocking to see him dance in the streets. That is, until a few days later when they find him wandering the streets alone, lost. The shadowless lose their memories. The curse spreads around the globe and no one understands the cause. Fast forward 2 years and we find a couple living inside a resort trying to survive as the world has crumbled around them. One day, Max loses her shadow setting the pair on a cross country adventure trying to save memories and lives in the hopes of saving the world.
I still don’t know if I love or hate The Book of M. Memories being linked to shadows is a very interesting concept. We see shadow play in stories like Peter Pan, which Shepherd references in the book. But there’s a magical element here that I still don’t understand.
Which starts a great discussion on the iceberg. As a writer, you’re only supposed to show the very tip of your iceberg. There’s this whole world you build that your readers will never know - though some of it could be used as great talking points during your tour. But showing enough and then showing too much is a fine line. I prefer to air on the too much side. Don’t overload them, but if you’re asking yourself the question then maybe you should add it in. This is also where beta readers can come in and help you decide.
The Book of M airs on the side of too little. Shepherd creates a magical element with the shadowless. As people forget things, they can change reality. Not a bad idea but not well enough explained to the readers. We can’t see the rules - a very important aspect for writers with magic. You need to make sure the reader knows the rules. At some points in The Book of M, we see things change with the memory loss, but not others. Why? What are the reasons? Is Shepherd just manipulating the rules to fit what she needs? No bueno.
“The memory means more, the more it’s worth to you—and to who you are.”
What Shepherd does master with ease is her character diversity. Do you want to have a diverse cast, then look at this book. Everything reads with ease. Nothing felt forced or overdone. Essentially, she sat down and asked, what can I make this character look like. Instead of automatically going to a white male or white woman, can you as a writer sit down and change it? Is there a specific reason or can they be something different? Done. That’s all you need to do.
And that ending. Well done to my fellow M. Night Shyamalan writer. I love when people pull a twist in the very end. Shepherd does a great job foreshadowing so you can’t be mad, but doesn’t construct a bright flashing arrow pointing to the plot.Claps all around.
As dystopias go, I think we’ve got a straightforward book here. People die, social systems are collapsed, and people scavenge to survive. There’s lots of moving around, plus fighting for conflict. All in all, I think Shepherd did a decent job. It’s just everything else that was a struggle. Her collapsing system leaves one feeling a little bonkers.
In all, I’m going to give it a 3.5 stars. If she wrote another book I’d probably pick it up. Now, I’ll be finishing the Grisha Verse. Whoop. I’m excited though a part of the ending was already spoiled. One problem of being on bookstagram and reading a popular series after everyone else. Oh well….
Happy Reading.
Love Kait
Reading Challenge: 83/100